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Deivyson Teixeira of Plastique Noir on his custom SX Jazz Bass and the band’s musical evolution

Plastique Noir bassist Deivyson Teixeira talks about his custom SX Jazz Bass, the use of Chorus and Delay effects, and Ampeg amps on the remastered album 'Dead Pop'.

Plastique Noir, a band rooted in the Brazilian post-punk scene, released a remastered version of their 2007 album Dead Pop through Wave Records in February. To understand the creative journey behind this album, we spoke with bassist Deivyson Teixeira about his instruments, equipment choices, and the band’s musical direction.

Discussing his primary bass guitar, Deivyson said, “These days, my main bass is a custom SX Jazz Bass, all black, with four strings. It’s a simple instrument, but it delivers a powerful and bright sound. I started playing this model recently, and it captivated me instantly. It was a gift from a close friend, which adds sentimental value. Many renowned bassists use this model, and now I have that same experience.”

On the topic of effects and amplifiers for the new album, Deivyson explained, “The effects are heavily inspired by classic Gothic and post-punk bands, but Plastique Noir has developed a specific tone that has become our identity. Although I’m not the first bassist—my brother, Danyel, the band’s guitarist, created this identity—I share the same essence. Effects like Chorus, Delay, and Flanger are indispensable, all customised in a Zoom 506 pedal. I’m considering adding a few more elements for a future upgrade, but without abandoning our core sound. As for amps, I always think of an Ampeg, but the final tone always comes together in post-production.”

When asked about his approach to creating bass lines, Deivyson noted, “The bass lines develop very organically, fitting well with our composition style. I usually start with a simple idea, and suddenly a riff or interesting passage emerges. This line has a backbone, and at home, I add the arteries and veins that give it body. I love hitting the high notes, often inspired by Peter Hook or Simon Gallup, but over time I’ve developed my own distinctive style, which makes me very happy.”

Regarding the band’s direction for the album, Deivyson reflected, “At the beginning, we sought inspiration with a visceral freshness, combined with years of experience, which made it incredible. We knew how we wanted to sound and had the experience to channel that energy. Having these musicians by my side is what makes it special. Consciously, we reach a common point without losing our musical identity. The album ‘Iskuros’ features a variety of bass lines that communicate with each other, maintaining simplicity with a lot of personality without losing what characterises our sound.”

He continued, “Songs like ‘All Cats’ and ‘Catedrais’ see the bass exploring its full range without losing punch. I mentioned these songs because they remind me of our characteristic sound. ‘All Cats’ feels like a response to ‘I Disappear’ and ‘Catedrais’ like a continuation of ‘Vésper.'”

The remastered edition of Dead Pop, originally released in 2007, is set to bring new life to Plastique Noir’s music. Enhanced by Jean Rié’s remastering, the album is available for streaming and purchase in digital, vinyl, and CD formats through Wave Records.

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