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HomeGearElectro-Harmonix introduces POG3: A new benchmark in Polyphonic Octave Generators

Electro-Harmonix introduces POG3: A new benchmark in Polyphonic Octave Generators

Electro-Harmonix launches POG3, the latest in their Polyphonic Octave Generator line, featuring advanced controls and connectivity for guitarists and bassists.

Electro-Harmonix has recently unveiled the POG3, the latest iteration of its Polyphonic Octave Generator series. This new model, priced at $645, incorporates several advanced features aimed at enhancing usability and versatility for both guitarists and bassists.

The POG3’s design includes a new triple-footswitch chassis which facilitates instant access to preset switching. This feature is complemented by a 128×32 graphic OLED display, illuminated side pots, and buttons, making it user-friendly in various lighting conditions. Notably, the pedal retains the iconic POG sliders and introduces a new +5TH voice, adding to its range which includes -2 OCT, -1 OCT, +1 OCT, and +2 OCT settings.

For musicians looking to expand their sonic palette, the POG3 offers three 1/4″ outputs (left, right, direct out), along with pan controls that allow different octave voices to be split between stereo outputs. Additional functionalities include a Warp mode for drop tuning, a freeze mode for creating sustained pads, and a Gliss mode derived from EHX’s HOG, which provides smooth transitions between chords.

The pedal also features controls for Input Gain, Master Volume, a Focus control for upper octaves, and a Multimode Filter with Q and Envelope sweep. Users can save settings to any of the 100 onboard presets and further refine these via an expression pedal or MIDI. Connectivity is enhanced by a USB-C port, which links the pedal with the EHXport app for comprehensive preset management and editing.

The POG3 by Electro-Harmonix can be found through the company’s website or authorized retailers.

Joel Costa
Joel Costahttps://bassempi.re
With over two decades of experience in the music industry, I've worn many hats - from running a record label and a PR agency to contributing to esteemed publications like Metal Hammer and Terrorizer. I've also authored books on iconic subjects such as Kurt Cobain's guitars and The Beatles. My journey led me to the editor's chair of Guitarrista, a print magazine dedicated to the crafts of guitar playing and building. Despite this diverse background, my true passion has always leaned towards the bass guitar. I have a particular fondness for offset basses and play a Thunderbird.
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